The Metrograph - Issue 2

The long-form interview with the director alone was worth the price, and the photography breaks up the essays in a way that makes the whole issue feel like a cohesive piece of cinema itself. I’ve already read it twice and keep finding new details in the layout.

I’m only halfway through the interview section, but the long-form conversations already feel like sitting in on a film school seminar with friends. The matte pages and photo spreads make it a coffee-table keeper, too.

Finally, a print magazine that treats cinema like an art form and not just a list of streaming releases. The long-form interviews are exactly what I was hoping for, and the photography throughout is gorgeous enough to keep on my coffee table.