WALKENS House of Film

Harman Red 125 35mm

Harman Red 125 35mm - Main image
$15.64 $23 In stock

Another new colour film from England!

After the success of launching their new PHOENIX 200 film, Harman are back with RED 125, a red-scale inversion of the Phoenix emulsion.

HARMAN RED 125 can transform mundane scenes into dystopian masterpieces with hues of red, orange, and yellow.

– 36 exposures per roll
– 125 iso colour film
– Made in England
– DX coded metal cannisters

From Harman:
"Redscale is the effect you get when shooting through the back of a colour film and exposing the red sensitive layer first, creating amazing results primarily consisting of reds, oranges and yellows.

With a DX coded cassette, edge signing and a box speed of ISO 125, HARMAN RED has a usable exposure range of EI 50 – 400. For best results we recommend shooting between EI 100 – 200 depending on scene brightness and contrast.

Depending upon the exposure and colour characteristics of a scene, images can range from strong “apocalyptic” looking bright orange and red tones to more subtle orange and green tones with delicate shadows.

Under exposure – Coarser grain, prominent shadows, deeper reds.
Normal exposure – Normal grain, Consistent orange tones, softer shadows.
Over Exposure – Finer grain – Brighter, more contrasty images, varying tones."

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Customer Reviews (4.8 / 5 · 5 reviews)

Natalie N. ★★★★★

The red-scale effect is wild—it turns ordinary street scenes into moody, fiery landscapes that I've never gotten from any other roll. Loading it was straightforward, and the 125 speed forced me to slow down and compose more carefully, which I actually enjoyed.

Charlotte ★★★★★

Loaded my first roll with some hesitation, but the way it turns everyday street scenes into surreal, crimson-toned landscapes is genuinely exciting. Exposed at box speed and got deep, moody reds that completely transform a mundane park bench into something cinematic. The contrast is punchy yet forgi

Julian J. ★★★★★

Shooting a roll of this red-scale inversion of Phoenix was like seeing the world through rose-tinted glasses, literally. The way it shifts greens and blues into warm tones is wild, and it pushed me to compose shots I'd never normally take. Exposure seems forgiving too, which is a bonus for a new fil