WALKENS House of Film

Fitzroy 1974

Fitzroy 1974 - Main image
$42.48 $59 In stock

Category: Book

Revisiting photographer Robert Ashton's landmark 1974 black-and-white image series documenting life in Melbourne's bohemian Fitzroy fifty years on.

First published in 1974, Into the Hollow Mountains was a landmark book featuring black-and-white images taken by Robert Ashton around the Melbourne suburb of Fitzroy, alongside original writing from local creatives including author Helen Garner. Fitzroy 1974 presents an authentic record of what it was like to live and work in one of Australia's most bohemian enclaves during a time of unprecedented change.

In 1970s Fitzroy the colonial roots of urban Australia were still on show from bluestone lanes to hard-case pubs. The suburb began to teem with a new diversity, as the children of migrants set about finding their place among the high-rise commission flats. The streets were a sanctuary for First Nations People from all over the Kulin nation and beyond. Mother Teresa's Sisters of Mercy sat beside the Divine Light Mission, the Greek Orthodox Church and the good Protestant nuns, around the corner from student flop houses and industrial sweat shops. Fitzroy become a haven for painters, musicians, writers and photographers chasing cheap rent, driving a creative legacy rivalling Greenwich Village in New York or Montmartre in Paris.

Now published with new writing edited by novelist Gregory Day, this compelling collection offers a rare glimpse into one of Australia's most influential suburbs at a pivotal moment in history.

Author: Robert Ashton
184 pages. 29.5cm x 24cm

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Customer Reviews (4.8 / 5 · 5 reviews)

Hazel ★★★★★

Flipping through this fifty-year retrospective feels like time travel — the grain and shadow in those Fitzroy street shots pull you straight into 1974, and the essays give the images real weight. I've spent two evenings with it and keep finding new details in each frame.

Grace E. ★★★★★

The way each photograph captures the raw, gritty texture of 1970s Fitzroy makes you feel like you're walking those streets yourself. I've spent hours just studying the faces in Ashton's series, especially the contrast between the pub regulars and the shoppers at the old market.

David ★★★★★

The archival prints in this book feel like they’ve been waiting fifty years to be seen again, and the way Ashton captures the grit of old Fitzroy is hauntingly beautiful. I keep flipping back to the tram-stop series, the light and shadow are just perfect.