WALKENS House of Film

The Art Of The B-Movie Poster

The Art Of The B-Movie Poster - Main image
$61.38 $99 In stock

Category: Book

Exploding off the page with more than 1,000 of the best examples of exploitation, grindhouse and pulp film poster design comes The Art of the B Movie Poster, a collection of incredible posters from low-budget films from the 1940s, ’50s, ’60s and ’70s. A loving tribute to the artwork and artists that brought biker gangs, jungle girls, James Bond rip-offs and reefer heads to life for audiences around the world.

Once relegated to the underground and midnight movie circuit, these films and their bombastic advertisements are experiencing a surge of mainstream popularity driven by fans appreciative of the artistic skill, distinctive aesthetic, and unabashed sensationalism they relied on to make a profit, with the quality of the poster often far surpassing that of the film itself.

The book celebrates this tradition with sections divided into moral panic films, action, horror, sci-fi, and of course, sex, each introduced with short essays by genre experts such as Kim Newman, Eric Schaefer, Simon Sheridan, Vern, and author Stephen Jones, winner of the Horror Writer’s Association 2015 Bram Stoker Award for Non-Fiction.

Edited by Adam Newell and featuring an introduction by author and filmmaker Pete Tombs.

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Customer Reviews (4.8 / 5 · 5 reviews)

Stella ★★★★★

The reproduction quality on these oversized pages is fantastic—you can really see the texture of the old paper. I've already spent hours just studying the lurid details in the grindhouse one-sheets. A must for any fan of cult cinema.

Christopher N. ★★★★★

Flipping through these oversized pages feels like touring a drive-in movie marathon from the golden era. The reproduction quality on the pulp and grindhouse examples is fantastic, capturing every lurid detail.

Andrew G. ★★★★★

This thing is a beast at over 1,000 posters, and I keep getting lost in the grindhouse and pulp sections for an hour at a time. The reproduction quality makes even the trashiest exploitation art look like it belongs in a gallery.